BornTooBlog Readers
Showing posts with label Jay-Z. Show all posts
Showing posts with label Jay-Z. Show all posts
September 11, 2013
Its Been A Long Time...I Shouldn't Have Left You!!!
What can I say!?!?!?! Writers block is a motha. I always wrote from personal inspiration and I just haven't been inspired to write like I did before. Call it burn out, writers block, whatever you want, but the reality is its been too long since I wrote something and shared my views with you all. So many things have been happening from Love & Hip Hop Atlanta to Basketball Wives, Kendrick Lamar and his all-coastal beef with his Hip Hop counterparts to Jay-z's Magna Carta to Kanye's new album *confused look*.
One of the major things that I noticed during my hiatus were some of my predictions on old posts that became reality in recent months. For instance, I recall making a post about the possibility of West Coast Hip Hop music making a comeback back in 2011, and more specifically, the mention of a certain artist by the name of Problem that was next to blow. Well, here we are in 2013 and Problem is on every song with your favorite rapper AND West Coast music is now back at the forefront of Hip Hop music: Can West Coast Hip Hop Make A Comeback?
Speaking of West Coast Hip Hop, a good friend of mine, Shannon Page, helped me with a music review on Kendrick Lamar's, "Good Kid, m.A.A.d City", which at the time was not as revered as it is today. Lamar's album was met with plenty of naysayers and skepticism, but dare I say it, the album has been catapulted to "classic status" by the Hip Hop world's elite taste makers. What a difference a couple years makes: Music Review: Kendrick Lamar's "good kid, m.A.A.d city". I'm still waiting for the world to catch up with new artists I've featured on the blog such as Luke James and Daley: Who Is Luke James?, Music Monday: Daley: Alone Together Feat. Marsha Ambrosius. While BornTooBlog featured artists like J. Cole and Frank Ocean have seen mainstream success since they graced the electronic pages of my blog back in 2011: J. Cole: Next To Blow?, Who Is Frank Ocean?
Relationships have always been a pivotal part of BornTooBlog and believe me, there will be many posts to come touching on this HOT topic. There have been too many breakups, makeups, divorces, reconciliations, failed rehab attempts and newborn babies for me not to. As always, I welcome any constructive feedback and I look forward to reconnecting with my BornTooBlog readers in a profound way before the close of 2013.
Questions for my BornTooBlog readers:
Which topics did you enjoy most on the blog?
What do you miss most about BornTooBlog?
What topics would you most like to see in the near future?
What posts do you enjoy the least?
Connect with here:
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February 9, 2012
The Kings Of New York Perform Live at Carnegie Hall: Jay-Z and Nas Unite
I know you've probably heard the rumors about Beyoncé staying out all night for Jay-Z's performances at Carnegie Hall in NYC. That bit of gossip has seemed to almost outshine the fact that the Director allowed Jay-Z to perform at the historic venue that was opened in 1891 and has never, until now, seen a rapper grace its stage. What really touched me was the guest performers that he brought along with him for the ride. Jay-Z brought out Alicia Keys, also a New York native, to perform with him as well as his once archenemy turned frenemy, rapper Nas.
We all know that Jay-Z and Nas' friendship has taken some turns for the worse in the past, with Jay-Z allegedly sleeping with the mother of Nas' first child. Not to mention a scathing beef that was initiated with Hov's album The Blueprint, with a track called "The Takeover". I recall so vividly unwrapping the CD case after it was first released, so anxious to hear the new material that Jay-Z had created. Only to be greeted with an outright diss to Nas, one of my favorite MCs, over a Kanye West beat. I'm sure we all remember that Fall of 2001 where two of rap's biggest giants collided in a rap beef that was made for the history books.
Nas, however, was not caught unaware as most of his fans were hearing the diss. I remember reading articles in Hip Hop magazines, prior to the release of The Blueprint, where Nas explained that he knew Jay-Z was after his baby mama, his spot and the rap throne of NYC. It would only make sense that Nas, having most likely read the Art of War and Machiavelli's The Prince, would be fully prepared to engage in arguably one of the biggest rap beefs ever.
Nas fired back with Ether and I think its safe to say that Nas won the rap battle. What he failed to secure, was the rap throne of NYC, as he neglected to engage further with Jay-Z after he continued to release verbal assaults via a track called Super Ugly. In my opinion, Super Ugly was a desperate attempt at a response to the verbal lashing that Nas had inflicted on Jay-Z, the initial aggressor in this situation. From my comprehension, Jay-Z later inadvertently admitted to losing the battle by saying, "Nigga what I'm doing can't be defined. The Joneses can't keep up. Maybe my nigga Nas. But I got stronger after Ether."
It doesn't matter who you think won the battle, the fact of the matter is, two of New York's own went to war and both came out of the scuffle, not quite unscathed, but better men for it. Years after the battle, the next time you would see Jay-Z and Nas together was on the video for Roc Boys, where Jay-Z enlisted the cameo appearances of Diddy and Nas, as they smoked cigars, rocked their Rat Pack tuxes and saluted each other in the video. Now that was a beautiful sight.
Now, again, Jay-Z has proven that there are no hard feelings between the two MCs by bringing Nas along for the Carnegie Hall performance, an important historic event in Hip Hop. I think this was a very gentlemanly move and I give kudos to Jay-Z because we all know he needs no sidekicks to rock a crowd. Bringing Nas up to share that historical moment brought a smile to my face and a relief to my spirit, that all is well with two of my favorite MCs, dead or alive.
SHARE YOUR THOUGHTS
Do you think it was cool for Jay-Z to bring Nas on stage at Carnegie Hall to share this momentous occasion?
Are you glad Nas and Jay-Z are no longer beefing?
Do you think Nas' career took a dive after his beef with Jay-Z?
Did Jay-Z, in fact, get stronger after Ether?
We all know that Jay-Z and Nas' friendship has taken some turns for the worse in the past, with Jay-Z allegedly sleeping with the mother of Nas' first child. Not to mention a scathing beef that was initiated with Hov's album The Blueprint, with a track called "The Takeover". I recall so vividly unwrapping the CD case after it was first released, so anxious to hear the new material that Jay-Z had created. Only to be greeted with an outright diss to Nas, one of my favorite MCs, over a Kanye West beat. I'm sure we all remember that Fall of 2001 where two of rap's biggest giants collided in a rap beef that was made for the history books.
Nas, however, was not caught unaware as most of his fans were hearing the diss. I remember reading articles in Hip Hop magazines, prior to the release of The Blueprint, where Nas explained that he knew Jay-Z was after his baby mama, his spot and the rap throne of NYC. It would only make sense that Nas, having most likely read the Art of War and Machiavelli's The Prince, would be fully prepared to engage in arguably one of the biggest rap beefs ever.
Nas fired back with Ether and I think its safe to say that Nas won the rap battle. What he failed to secure, was the rap throne of NYC, as he neglected to engage further with Jay-Z after he continued to release verbal assaults via a track called Super Ugly. In my opinion, Super Ugly was a desperate attempt at a response to the verbal lashing that Nas had inflicted on Jay-Z, the initial aggressor in this situation. From my comprehension, Jay-Z later inadvertently admitted to losing the battle by saying, "Nigga what I'm doing can't be defined. The Joneses can't keep up. Maybe my nigga Nas. But I got stronger after Ether."
It doesn't matter who you think won the battle, the fact of the matter is, two of New York's own went to war and both came out of the scuffle, not quite unscathed, but better men for it. Years after the battle, the next time you would see Jay-Z and Nas together was on the video for Roc Boys, where Jay-Z enlisted the cameo appearances of Diddy and Nas, as they smoked cigars, rocked their Rat Pack tuxes and saluted each other in the video. Now that was a beautiful sight.
Now, again, Jay-Z has proven that there are no hard feelings between the two MCs by bringing Nas along for the Carnegie Hall performance, an important historic event in Hip Hop. I think this was a very gentlemanly move and I give kudos to Jay-Z because we all know he needs no sidekicks to rock a crowd. Bringing Nas up to share that historical moment brought a smile to my face and a relief to my spirit, that all is well with two of my favorite MCs, dead or alive.
SHARE YOUR THOUGHTS
Do you think it was cool for Jay-Z to bring Nas on stage at Carnegie Hall to share this momentous occasion?
Are you glad Nas and Jay-Z are no longer beefing?
Do you think Nas' career took a dive after his beef with Jay-Z?
Did Jay-Z, in fact, get stronger after Ether?
January 18, 2012
Musical Review: Fela! At The Ahmanson Theatre
My family and I went to see the Broadway Play, Fela! which is based off the life and music of Fela Anikulapo-Kuti, "a Nigerian multi-instrumentalist musician and composer, pioneer of Afrobeat music, political rights activist and political maverick." (from Wikipedia - Fela Kuti Biography) He ingeniously fused Jazz, Cuban rhythm, Funk and African drums to create the sound known today as "Afrobeat". Fela focused on the happenings in the then extremely corrupt part of Nigeria known as Lagos and used his music as a political platform to evoke social change.
The play was set in Fela's compound known as The Shrine, where he performed all of his work for the locals of Nigeria during the 70s. Fela was arrested on several occasions in Nigeria for his political views that he shared through his music and soon became an international star with Reggae star Bob Marley, among others, wanting to work with him. Fela died in 1997 of AIDS, but his music and legacy lives on as Will and Jada Pinkett Smith, Jay-z and Questlove signed on to produce the play on Broadway in 2009 as it finally made its way to Los Angeles in 2012.
There was even a moment when Sahr made the entire theatre stand to their feet to dance to his rhythms as he directed them verbally from the stage. The show was very interactive and maintained a high level of energy just like many of Fela's songs. The play took me back to that time of political issues and uncertainty in the United States and across the sea to Lagos, Nigeria, which was strictly controlled by a corrupt political system and police and military force. The play touched on many of these occurrences and coupled them with the inspiration Fela experienced in order to write and create music about the dreadful occurrences at that time.
Fela Kuti is an inspirational artist that not only garnered influence from the states and James Brown with his civil rights music and The Black Panther Party, but his legacy lives on through this very inspirational play that shows a day in the life of Fela (meaning He Who Emanates Greatness). The artist, activist, musician, composer and legend. I wish there were more dates in Los Angeles as it tours throughout the country so that I could urge my readers in LA to attend. However, check the website http://www.felaonbroadway.com/ for upcoming dates of the tour and more information on the production. I enjoyed every minute of it an was so thankful to get the chance to attend.
WEIGH IN
Have you ever heard of Fela Kuti?
Have you heard his music?
Are you a fan?
Have you seen the play or do you plan on seeing it?
What are your thoughts on his music and legacy?
January 9, 2012
Jay-Z and Beyoncé Welcome Daughter Blue Ivy Carter To The World Amongst Rumors and Drama
Jay-Z and Beyoncé released the following statement to the world today regarding the birth of their daughter, Blue Ivy Carter:
"Hello Hello Baby Blue!
We are happy to announce the arrival of our beautiful daughter, Blue Ivy Carter, born on Saturday, January 7, 2012.
Her birth was emotional and extremely peaceful, we are in heaven.
...
She was delivered naturally at a healthy 7 lbs and it was the best experience of both of our lives.
We are thankful to everyone for all your prayers, well wishes, love and support.
- Beyoncé & JAY Z"
We are happy to announce the arrival of our beautiful daughter, Blue Ivy Carter, born on Saturday, January 7, 2012.
Her birth was emotional and extremely peaceful, we are in heaven.
...
She was delivered naturally at a healthy 7 lbs and it was the best experience of both of our lives.
We are thankful to everyone for all your prayers, well wishes, love and support.
- Beyoncé & JAY Z"
BornTooBlog would like to extend a heartfelt congratulations to the Carters on their new edition to Hip Hop/Pop royalty and the Carter family. There has been so many speculations on whether the baby was actually going to be delivered by Bey, whether she was in fact pregnant, and when the actual birth would take place. Even further, drama ensued while Jay & Bey rented out the entire floor of a New York hospital and left many parents angry while they restricted access to their children in the ICU unit of the hospital, trying to keep them secluded. Amongst rumors that Bey had the baby almost a month ago, the baby is officially here and I cannot wait to see pics of her, which I'm sure won't be released for awhile since the Carters are very private.
Jay-z also released a track today called "Glory" with a top celebrity feature, none other than Baby Blue Ivy. Check out the track of Jay and his first daughter, Blue Ivy Carter below:
What do you think of the track? Are you happy for the Carters on their new edition to the family? What advice would you parents give the Carters in raising their new baby Blue Ivy?
Social Politics: Should "Others" Be Able To Use The "N" Word Freely?!?!
While watching Jay-Z and Kanye West perform at Staples Center in Los Angeles in December at the Watch The Throne concert, I was recently met with an experience that made me wonder is this type of occurrence something black folks should focus on or let go in this day and age. On Kanye's song "All Of The Lights" off his 5th studio album "My Beautiful Dark Twisted Fantasy", he speaks of a world without pop superstar Michael Jackson, following his untimely death in 2010, with the line, "Something wrong. I hold my head. MJ gone. Our n*&^% dead." Of course this is one of my favorite lines on the song, but when all of Staples Center chimed in on this part, I can't lie and say that it didn't bother me and make me a bit uncomfortable. Especially since the crowd was primarily comprised of "others".
While performing, Kanye even stopped the music and talked directly to the crowd about using the "n" word in that instance and that he was giving everyone a pass that tonight. The entire stadium laughed and as the music began again, Kanye repeated the line. This time, it seemed as though the stadium said it even louder and with more enthusiasm. Kanye said they could get a pass that night, but it really made me think. Hip Hop/Rap music has exposed other races to black culture, specifically, our slang, swag, etc. Is it wrong for Hip Hop artists or black people in general to expect "others" to bleep out the "n" word every time it is used in a song they are listening to? Do "others" sing songs like this in the privacy of their homes and use the "n" word behind closed doors?
I recall several years back Latino artists like J.Lo and Fat Joe also being called on the carpet for using the "n" word in songs that they recorded. Are Latinos who don't consider themselves to be "black" allowed to use the word because they maybe grew up in the same struggle or near and around African Americans? Or should they be restricted from using the word as well?
I've been pondering this issue for awhile now and I wanted to speak to my readers and get feedback. I really want to know have you ever experienced peers or strangers reciting song lyrics, thinking it is okay to use the "n" word, just because the artist does? Do you let your friends who are "others" call you the "n" word or other black people that word in front of you? Have you ever had to stop a friend, colleague or acquaintance in their tracks because they thought it was permissible to use it in a song or in a joking manner?
I know that black people have a tendency to be identified as "sensitive" when it comes to racial/social issues like these. A lot of "others" use the fact that black people call each other the word and use it so much that in return, they cannot call others on the carpet for using the word as it would be a double standard. I myself have limited my use of the word tremendously, and am still working to erase it from my vocabulary for good.
Am I being too sensitive by saying "others" shouldn't be permitted to use the word whether as a joke, a line in a song, or term of endearment for any race or people? Do you think these people should be called on the carpet for their use of the word no matter how much black people may still use the word? Have you ever been in this predicament? How did it make you feel? How did you respond?
I would love your feedback!!!!!
SHARE YOUR THOUGHTS!!!!!!!
While performing, Kanye even stopped the music and talked directly to the crowd about using the "n" word in that instance and that he was giving everyone a pass that tonight. The entire stadium laughed and as the music began again, Kanye repeated the line. This time, it seemed as though the stadium said it even louder and with more enthusiasm. Kanye said they could get a pass that night, but it really made me think. Hip Hop/Rap music has exposed other races to black culture, specifically, our slang, swag, etc. Is it wrong for Hip Hop artists or black people in general to expect "others" to bleep out the "n" word every time it is used in a song they are listening to? Do "others" sing songs like this in the privacy of their homes and use the "n" word behind closed doors?
I recall several years back Latino artists like J.Lo and Fat Joe also being called on the carpet for using the "n" word in songs that they recorded. Are Latinos who don't consider themselves to be "black" allowed to use the word because they maybe grew up in the same struggle or near and around African Americans? Or should they be restricted from using the word as well?
I've been pondering this issue for awhile now and I wanted to speak to my readers and get feedback. I really want to know have you ever experienced peers or strangers reciting song lyrics, thinking it is okay to use the "n" word, just because the artist does? Do you let your friends who are "others" call you the "n" word or other black people that word in front of you? Have you ever had to stop a friend, colleague or acquaintance in their tracks because they thought it was permissible to use it in a song or in a joking manner?
I know that black people have a tendency to be identified as "sensitive" when it comes to racial/social issues like these. A lot of "others" use the fact that black people call each other the word and use it so much that in return, they cannot call others on the carpet for using the word as it would be a double standard. I myself have limited my use of the word tremendously, and am still working to erase it from my vocabulary for good.
Am I being too sensitive by saying "others" shouldn't be permitted to use the word whether as a joke, a line in a song, or term of endearment for any race or people? Do you think these people should be called on the carpet for their use of the word no matter how much black people may still use the word? Have you ever been in this predicament? How did it make you feel? How did you respond?
I would love your feedback!!!!!
SHARE YOUR THOUGHTS!!!!!!!
December 20, 2011
Concert Review: Were You Watching The Throne?!?!?! Jay-z and Kanye Watch The Throne Tour
First off, let me begin by saying that I have seen Jay-z in concert on many occasions, however, this was my first time seeing Kanye perform live and in person. Besides his stellar award and televised concert performances, I could only anticipate the performance that Kanye would deliver at the Watch The Throne concert. Unlike Kanye, Jay-z has had so many world tours its too many to name (Hard Knock Life, Roc The Mic, Jay-Z and Friends, etc.). Contrary to Jay-z's previous performances, he and Kanye had no guest appearances, no dancers, and surprisingly, not even a visible band at the Watch The Throne concert at Staples Center in downtown Los Angeles.
It seems as though the bulk of the budget went into pyrotechnics, smoke, high tech lasers and two digital cubed HD screens that elevated about 60 feet in the air showing video footage that was selected to accompany each song, with Jay-z and Kanye standing on top of the screens, no less. Jay and 'Ye won the crowd over with hits from the album like No Church In The Wild, Lift Off, Otis, Who Gone Stop Me and Welcome To The Jungle to name a few, and also took us back with classic hits like Big Pimpin', Is That Your Chick and Hard Knock Life as well as Flashing Lights, Diamonds Are Forever and Gold Digger that kept the fans' diamond/roc signs up all night.
The Roc Nation affiliates mellowed the mood and turned down the flashing lights to focus on one of my favorite songs off the album, New Day. As they both reflected on the future life of their unborn children and how they would make things better for them once they were born, Jay thanked the crowd for sharing the moment with them, as it was an emotional performance that the concertgoers could actually connect with.
No performance of Watch The Throne would be complete without Sweet Baby Jesus, a nostalgic track that boasts the melodic voice of Frank Ocean, as he proclaims, "we made it in America". The American flag was a common theme throughout the concert, as Kanye and Jay-z exemplified what it means to live the American Dream. Besides, isn't that what the album was all about? The concert was not without its other deep moments, like when they performed Murder To Excellence, with Kanye declaring, "I feel the pain in my city wherever I go. 314 soldiers died in Iraq. 509 died in Chicago." As the 60 foot screens rose to the ceiling, Kanye and Jay-z depicted historic and graphic footage of police brutality, political marches and speeches and this is where the crowd got a bit quiet and reflective.
I was also surprised to see that the majority of Kanye's and Jay-z's fans were not African American, and even further, that the crowd was overwhelmingly full with fans of Kanye. Nevertheless, I held Hov down like the true fan that I am and recited every word to every song, just because I'm cool like that. All in all, the concert was very enjoyable and I'm glad I sprung for the c-note (and them $ome) to attend such a monumental and epic tour. Kanye and Jay-z gave us a performance we could be proud of and made a clear statement to the world that everyone should heed...."Watch The Throne".
WEIGH IN
Have you ever seen Jay-z or Kanye West perform live?
Did you attend the Watch The Throne concert in your city?
What did you like about the performances?
What did you think was missing, if anything, from the tour?
Would you pay to see Kanye and Jay-z on tour in the future?
September 16, 2011
Who Is Frank Ocean?
Some of you may have heard of him. Some may be reading his name for the first time, but very shortly, I'm predicting he will be a household name. Frank Ocean is originally from New Orleans, Louisiana, but later moved to LA once Katrina hit in 2005. While in LA, Frank pursued music and joined the Los Angeles based hip hop collective OFWGKTA. He is a writer and R&B artist that has worked with big names like Pharrell, Jay-Z, Kanye and Beyoncé, just to name a few and is also signed to Def Jam. He has collaborated with Odd Future's Tyler the Creator, who recently won the 2011 MTV Video Music Award for Best New Artist and is also a member of OFWGKTA.
You might have also heard of the drama that ensued when Chris Brown mentioned Ocean on Twitter saying "I fucks with @Frank_Ocean. He reminds me of a young James Fauntleroy." While I'm not really sure if Breezy meant it as a diss, Ocean replied by saying "I fucks with @chrisbrown. He reminds me of a young Ike Turner. *side eye* I watched online as the drama ensued, and even spilled into the real world as both artists' camps began to engage in street beef. All has since calmed down and both men met and agreed to squash it, but I'm sure it helped Ocean's twitter following *wink*
Beef aside, Frank Ocean dropped his first single on iTunes, Novacane, on Def Jam Records on May 31, 2011, which was greeted with critical acclaim. On the surface, the song chronicles his journey after meeting a smart chick at Coachella, who is starring in porn movies to pay for school and has also turned him onto a new drug. Once the drug is in his system, his face becomes numb and he likes the feeling it gives him. I would venture to say that on the flip side, Ocean is speaking of the affects of drugs on music, entertainment and relationships. The facade of Hollywood and the inability to make real connections due to drugs, partying and bullshit. But don't take my word for it, check the lyrics yourself and watch the video below:
I think I started something
I got what I wanted
Did-didn't I
Can't feel nothing
Superhuman
Even when I'm fucking
Viagra popping
Every single record
Auto tuning
Zero emotion
Muted emotion
Pitch corrected
Computed emotion
I blame it on the
Model broad with the Hollywood smile
Stripper booty and a rack like wow
Brain like Berkeley
Met her at Coachella
I went to see Jigga
She went to see Z-trip
Perfect
I took a seat on the ice cold lawn
She handed me a ice blue bong
Whatever
She said she wanna be a dentist really badly
She's in school paying
For tuition doing porn in the valley
At least you working
But girl I can't feel my face
What are we smoking anyway
She said don't let the high go to waste
But can you taste a little taste of
Novacane
Baby baby
Novacane baby I want you
Fuck me good
Fuck me long
Fuck me numb
Love me now when I'm gone love me none
Love me none love me none
Numb numb numb numb
Sink full of dishes
Pacing in the kitchen
Cocaine for breakfast
Yikes
Bed full of women
Flip on a tripod
Little red light on shooting
I'm feeling like
Stanley kubrick
This is some visionary shit
Been tryna film pleasure with my eyes wide shut
But it keeps on moving
I blame it on the
Model broad with the Hollywood smile
Stripper booty with the rack like wow
I'll never forget ya
You put me on a feeling I never had
Never had never had
And ever since
I've been tryna get it back and pick it up and put it back
Now I'm something like the chemist on campus
But there's no drug around
I like what I found in you
I still can't feel my face
What am I smoking anyway
She said don't let the high go to waste
But can you taste a little taste of
Novacane
Baby baby
Novacane baby I want you
Fuck me good
Fuck me long
Fuck me numb
Love me now when I'm gone love me none
Love me none love me none
Numb numb numb numb
Novacane novacane novacane novacane novacane
For the pain for the pain for the pain for the pain for the pain
Novacane novacane novacane novacane novacane
For the pain for the pain
Novacane novacane
Pretty girls involved with me
Making pretty love to me pretty
Pity pity
All the pretty girls involved with me
Making pretty love to me pretty
Pity pity
I can't feel a thing
I can't feel
Can't feel a thing
I can't feel a thing
Can't feel feel feel feel her
I can't feel feel her
Novacane novacane novacane
I can't feel feel her
For the pain
For the pain
For the pain
I can't feel feel her
Feel her feel her oh
Novacane novacane-cane
I still can't feel my face
What am I smoking anyway
She said don't let the high go to waste
But can you taste a little taste of
Novacane
Baby baby
Novacane baby I want you
Fuck me good
Fuck me long
Fuck me numb
Love me now when I'm gone love me none
Love me none love me none
Numb numb numb numb
Novacane novacane novacane novacane novacane
For the pain for the pain for the pain for the pain for the pain
Novacane novacane novacane novacane novacane
For the pain for the pain
Novacane novacane
Pretty girls involved with me
Making pretty love to me pretty
Pity pity
All the pretty girls involved with me
Making pretty love to me pretty
Pity pity
I can't feel a thing
I can't feel
Can't feel a thing
I can't feel a thing
Can't feel feel feel feel her
I can't feel feel her
Novacane novacane novacane
I can't feel feel her
For the pain
For the pain
For the pain
I can't feel feel her
Feel her feel her oh
Novacane novacane-cane
Now, on to the new single entitled Swim Good. My sister put me on to this song and like Novacane, I fell in love instantly with the lyrics and the sound, which is different from anything I've ever heard. I appreciate Ocean's unique style and his ability to mash up genres and influences to make a sound all his own. Swim Good is another deep, multi-dimensional song that will probably elicit many interpretations from the listener. What I think all can agree on is the song is fresh and new and DOPE!
Here are some of my favorite lyrics from the song:
That's a pretty big trunk on my Lincoln Town Car Aint It?
Big enough to take these broken hearts and put 'em in it
Now I'm driving round on the boulevard trunk bleeding
And every time the cops pull me over
The don't ever see them
They never see them
I'm about to drive in the ocean
Imma try to swim from something bigger than me
Kick off my shoes
And swim good
And swim good
Take off this suit
And swim good
And swim good
Got some pretty good beats on this 808CC beatin'
Memory seats I'm sitting on stay heated
I would've put tints on my windows
But what's the difference
When I feel like a ghost, no Swayze
Ever since I lost my baby
Frank Ocean is speaking of broken hearts and swimming away from something bigger than he. Again, MY interpretation of the lyrics is he is speaking of swimming away from a broken heart and a love lost. He is wearing all black like he's going to a funeral because he is depressed, or the love is dead. Needless to say, you might want to think critically when trying to figure out what he is speaking of exactly, but that's the fun part, right? HipHopDX just posted the video to their site and I would love for you all to watch it and let me know what you think. Both of his videos are very artistic and leave much to the imagination, so take a look with your critical/artistic eye and enjoy!
I am excited to see what his new project will bring and how it will change the face of Hip Hop. His contribution to Jay-Z and Kanye's Watch The Throne album is ever present on Made In America and No Church In The Wild (I love both), as well as Beyoncé's track on 4 called I Miss You.
A few more pics:
August 17, 2011
J. Cole - Next To Blow?
Ever since I first heard this guy I was in love with his voice, style, delivery and mature subject matter. I later discovered he was signed to Roc Nation, by head honcho Jay-Z, and this kid was the next to blow. After hearing several mixtapes like The Warm Up and Friday Night Lights, as well as, tracks with featured artists like Drake and Big Sean, I knew it was only a matter of time before everyone knew his name.
The North Carolina native's first track released off his upcoming debut LP Cole World: The Sideline Story was Who Dat, which featured a school band drum line beat equipped with horns to create a new sound that I had never heard before. J. Cole is known for ghost writing Diddy's Coming Home track off the Last Train To Paris and is also known for his appearance on Jay-Z's A Star Is Born from The Blueprint 3.
Cole has a degree from St. John's University, which he attended on an academic scholarship studying communication and minoring in business, graduating magna cum laude. Cole explains that he only sought highter education as a path to get a record deal. However, after years of no record deal, he obtained his degree and continued to pursue his dream to be a rap superstar. After sitting outside of Jay-Z's offices for hours in an attempt to have him listen to his beat, he was ignored, but later called by an associate explaining Jay wanted to meet him after hearing his track Lights Please, from one of his mixtapes. Lights Please is a cool and mellow track where Cole is speaking to a young lady whom he is fond of, but is perplexed by her preoccupation with sex, instead of getting to know him better or talking about things with more substance. Check some of the lyrics:
So I tried to show her
About the world and about just who we really are
And where we've come and how we still have to go really far
Like baby look at how we live broke on the boulevard
But all she ever want me to do is unhook her bra
Then all I really want is for her to go down low
Before you know it she wet enough to get drowned slow
And all that deep shit I was previously down for
Replaced by freak shit I am currently down for
About the world and about just who we really are
And where we've come and how we still have to go really far
Like baby look at how we live broke on the boulevard
But all she ever want me to do is unhook her bra
Then all I really want is for her to go down low
Before you know it she wet enough to get drowned slow
And all that deep shit I was previously down for
Replaced by freak shit I am currently down for
...
So now we in the hotel
Mirrors on the ceilin'
She say she wanna blow L's
I hear her and I'm willin'
But everytime I smoke well a nigga mind gone
So that every word I spoke well I'm tryin' to put her on
But she couldn't hear me
I told her all about how we been livin' a lie
And that they'd love to see us all go to prison or die
Like baby look at how they show us on the TV screen
But all she ever want me to do is unzip her jeans
Then all I really want is for her to get on top
Before you know it she workin' jerkin' it non stop
And all that next shit I was previously talkin'
Is now that wet shit that I'm currently lost in
Mirrors on the ceilin'
She say she wanna blow L's
I hear her and I'm willin'
But everytime I smoke well a nigga mind gone
So that every word I spoke well I'm tryin' to put her on
But she couldn't hear me
I told her all about how we been livin' a lie
And that they'd love to see us all go to prison or die
Like baby look at how they show us on the TV screen
But all she ever want me to do is unzip her jeans
Then all I really want is for her to get on top
Before you know it she workin' jerkin' it non stop
And all that next shit I was previously talkin'
Is now that wet shit that I'm currently lost in
...
I'm findin' the more I grow the more y'all stay the same
Don't even know the rules but yet y'all tryin' to play the game
And ain't it shameful how niggas blame hoes for givin' birth
To a baby that took two to make
Coward nigga you a fake
How gon' look in your sons face and turn your back
Then go start another family dog what type of shit is that?
She said it's okay
Rubbed my head and told me to relax
Laid a nigga down proper like she was recordin' tracks
Said I know you wanna change the world
But for the night please
Just reach over and hit the lights please
DEEP RIGHT?
J. Cole has been patiently waiting for his time to blow; Watching peers like Drake and Big Sean hit pay dirt with their debut albums. I've been waiting on him to drop a track that would capture the ears of the diverse Hip Hop community and would showcase his talent and staying power. I think he's finally done it with his new single and video Work Out. But don't take my word for it, see for yourself.
Here is my fav! His video for Who Dat:
Here is his video for the song he did with Drake, In The Morning:
The debut album Cole World: The Sideline Story hits stores September 27th. Cole has been on tour all summer with Rihanna and Cee-Lo Green for the Loud Tour and just released the dates for his world tour Cole World and will be performing with Tini Tempah in the UK:
COLE WORLD…WORLD TOUR
August 23rd Vancouver, BC (Vogue)
August 25th Edmonton, AB (Edmonton Events Centre)
August 27th Calgary, AB (Flames Central)
August 30th Saskatoon, SK (Odeon Theatre)
August 31st Winnipeg, MB (Garrick Center)
September 3rd Toronto, ON (Sound Academy)
September 6th London, ON (Music Hall London)
September 7th Montreal, QC (Club Soda)
September 10th Orlando, FL (The Beacham Theatre)
September 11th Miami, FL (Revolutions)
September 14th Houston, TX (Warehouse Live)
September 15th New Orleans, LA (House of Blues)
September 16th Dallas, TX (Southside Music Hall)
September 17th Austin, TX (Emos)
September 19th Denver, CO (The Ogden)
September 20th Albuquerque, NM (Sunshine Theater)
September 21st Phoenix, AZ (The Venue)
September 22nd Los Angeles, CA (Club Nokia)
September 23rd San Francisco, CA (Regency)
September 29th Winston Salem, NC (Winston Salem State University)
October 2nd Atlanta, GA (Tabernacle)
October 4th Cleveland, OH (House of Blues)
October 6th Kalamazoo, MI (Kalamazoo State Theatre)
October 7th Detroit, MI (Royal Oak)
October 8th Milwaukee, WI (The Rave)
October 9th Chicago, IL (House of Blues)
October 12th Philadelphia, PA (Electric Factory)
October 13th Charlotte, NC (Fillmore)
October 14th Norfolk, VA (Old Dominion University)
October 15th Elizabeth City, NC (Elizabeth City State University)
October 16th Myrtle Beach, SC (House of Blues)
October 19th Washington, DC (Fillmore)
October 20th Baltimore, MD (Sound Stage)
October 21st Albany, NY (Armory)
October 22nd Worcester, MA (Palladium)
October 23rd Providence, RI (Lupo’s)
October 25th New York, NY (Best Buy Theatre)
October 31st Liverpool, UK (Echo Arena/TinieTempah UK Arena Tour)
November 1st New Castle, UK (Metro Radio Arena/TinieTempah UK Arena Tour)
November 2nd Glasgow, UK (SECC/TinieTempah UK Arena Tour)
November 4th London, UK (O2 Arena/TinieTempah UK Arena Tour)
November 5th Bournemouth, UK (BIC/TinieTempah UK Arena Tour)
November 6th Birmingham, UK (LG Arena/TinieTempah UK Arena Tour)
November 7th Manchester, UK (MEN Arena/Tinie Tempah UK Arena Tour)
November 8th Cardiff, UK (Motorpoint Arena/ Tinie Tempah UK Arena Tour)
November 11th London, UK (Electric Ballroom)
November 12th Birmingham, UK (Institute)
November 13th Cardiff, UK (Solus)
November 14th South Hampton, UK (University)
November 17th Glasgow, UK (ABC)
November 18th Liverpool, UK (Academy)
November 19th Sheffield, UK (Academy)
November 20th Manchester, UK (Academy 2)
November 22nd Cambridge, UK (Junction)
November 24th Bristol, UK (Academy)
November 26th Norway (Waterfront / UEA)
November 30th Brussels, Belgium (VK*)
December 1st Amsterdam, Holland (Melkweg)
December 2nd Germany (TBD)
December 3rd Copenhagen, Denmark (VEGA)
December 4th Malmo, Sweden (Babel)
December 6th Gothenburg, Sweden (Parken)
December 7th Stockholm, Sweden (Nalen)
December 8th Oslo, Norway (Rockefeller)
December 10th Berlin, Germany (TBD)
December 12th Paris, France (La Cigale)
MORE PICS!
I'm excited to see what this newcomer has to bring to the Hip Hop table and hopes he can continue keeping things fresh and new as he has for the past 3+ years. You all should definitely keep your eye on this guy. I'm sure the album will be worth the wait.
Don't even know the rules but yet y'all tryin' to play the game
And ain't it shameful how niggas blame hoes for givin' birth
To a baby that took two to make
Coward nigga you a fake
How gon' look in your sons face and turn your back
Then go start another family dog what type of shit is that?
She said it's okay
Rubbed my head and told me to relax
Laid a nigga down proper like she was recordin' tracks
Said I know you wanna change the world
But for the night please
Just reach over and hit the lights please
DEEP RIGHT?
J. Cole has been patiently waiting for his time to blow; Watching peers like Drake and Big Sean hit pay dirt with their debut albums. I've been waiting on him to drop a track that would capture the ears of the diverse Hip Hop community and would showcase his talent and staying power. I think he's finally done it with his new single and video Work Out. But don't take my word for it, see for yourself.
Here is my fav! His video for Who Dat:
The debut album Cole World: The Sideline Story hits stores September 27th. Cole has been on tour all summer with Rihanna and Cee-Lo Green for the Loud Tour and just released the dates for his world tour Cole World and will be performing with Tini Tempah in the UK:
COLE WORLD…WORLD TOUR
August 23rd Vancouver, BC (Vogue)
August 25th Edmonton, AB (Edmonton Events Centre)
August 27th Calgary, AB (Flames Central)
August 30th Saskatoon, SK (Odeon Theatre)
August 31st Winnipeg, MB (Garrick Center)
September 3rd Toronto, ON (Sound Academy)
September 6th London, ON (Music Hall London)
September 7th Montreal, QC (Club Soda)
September 10th Orlando, FL (The Beacham Theatre)
September 11th Miami, FL (Revolutions)
September 14th Houston, TX (Warehouse Live)
September 15th New Orleans, LA (House of Blues)
September 16th Dallas, TX (Southside Music Hall)
September 17th Austin, TX (Emos)
September 19th Denver, CO (The Ogden)
September 20th Albuquerque, NM (Sunshine Theater)
September 21st Phoenix, AZ (The Venue)
September 22nd Los Angeles, CA (Club Nokia)
September 23rd San Francisco, CA (Regency)
September 29th Winston Salem, NC (Winston Salem State University)
October 2nd Atlanta, GA (Tabernacle)
October 4th Cleveland, OH (House of Blues)
October 6th Kalamazoo, MI (Kalamazoo State Theatre)
October 7th Detroit, MI (Royal Oak)
October 8th Milwaukee, WI (The Rave)
October 9th Chicago, IL (House of Blues)
October 12th Philadelphia, PA (Electric Factory)
October 13th Charlotte, NC (Fillmore)
October 14th Norfolk, VA (Old Dominion University)
October 15th Elizabeth City, NC (Elizabeth City State University)
October 16th Myrtle Beach, SC (House of Blues)
October 19th Washington, DC (Fillmore)
October 20th Baltimore, MD (Sound Stage)
October 21st Albany, NY (Armory)
October 22nd Worcester, MA (Palladium)
October 23rd Providence, RI (Lupo’s)
October 25th New York, NY (Best Buy Theatre)
October 31st Liverpool, UK (Echo Arena/TinieTempah UK Arena Tour)
November 1st New Castle, UK (Metro Radio Arena/TinieTempah UK Arena Tour)
November 2nd Glasgow, UK (SECC/TinieTempah UK Arena Tour)
November 4th London, UK (O2 Arena/TinieTempah UK Arena Tour)
November 5th Bournemouth, UK (BIC/TinieTempah UK Arena Tour)
November 6th Birmingham, UK (LG Arena/TinieTempah UK Arena Tour)
November 7th Manchester, UK (MEN Arena/Tinie Tempah UK Arena Tour)
November 8th Cardiff, UK (Motorpoint Arena/ Tinie Tempah UK Arena Tour)
November 11th London, UK (Electric Ballroom)
November 12th Birmingham, UK (Institute)
November 13th Cardiff, UK (Solus)
November 14th South Hampton, UK (University)
November 17th Glasgow, UK (ABC)
November 18th Liverpool, UK (Academy)
November 19th Sheffield, UK (Academy)
November 20th Manchester, UK (Academy 2)
November 22nd Cambridge, UK (Junction)
November 24th Bristol, UK (Academy)
November 26th Norway (Waterfront / UEA)
November 30th Brussels, Belgium (VK*)
December 1st Amsterdam, Holland (Melkweg)
December 2nd Germany (TBD)
December 3rd Copenhagen, Denmark (VEGA)
December 4th Malmo, Sweden (Babel)
December 6th Gothenburg, Sweden (Parken)
December 7th Stockholm, Sweden (Nalen)
December 8th Oslo, Norway (Rockefeller)
December 10th Berlin, Germany (TBD)
December 12th Paris, France (La Cigale)
MORE PICS!
I'm excited to see what this newcomer has to bring to the Hip Hop table and hopes he can continue keeping things fresh and new as he has for the past 3+ years. You all should definitely keep your eye on this guy. I'm sure the album will be worth the wait.
Share your thoughts on the videos...WEIGH IN!
August 15, 2011
Jay-Z and Kanye West's Watch The Throne sets iTunes record
In typical fashion, Jay-Z and Kanye West managed to break the iTunes sells record for the most downloads in one week, ousting Coldplay's 2008 record with their album Viva La Vida Or Death and All His Friends which sold 282,000 in its first week. Kanye and Jay's physical release of the album on Friday, August 12th in stores and its electronic release online on August 8th had the Internets ablaze with talks of it either being dope or wack. Many people were complaining saying that in this time of economic downturn, Jay and 'Ye shouldn't be flaunting their wealth in the faces of the poor and marginalized Americans that purchase their albums.
Once I listened to the album and saw the video, it was much more clear that Jay-Z and Kanye were not throwing their money in our faces, but more so celebrating the lifestyle and riches that their hard work has afforded them. When I take a look at the new video for the Otis track, with the American flag prominently displayed in the background, I see two kids from the inner city, elated and relieved, celebrating making something out of nothing. I see the hard work, blood, sweat and tears; the let downs, denials and doors closed in their faces, which only propelled them to greater heights, why? Because they never gave up.
Thinking back to the day when Jay-Z was trying to get a major label deal. All of the then top music labels denied him. When Kanye was trying to sell more than just beats, in an effort to rhyme, he was shut down by his fair share of naysayers. Looking at them now, it seems like they have it all. But the best is yet to come. I am anxious for the Watch The Throne tour and who will be the surprise guests tagging along.
To get an idea of what I'm referring to, take a look at the video for Otis, the debut track off the Watch The Throne album:
Selling 290,000 units on iTunes is a admirable task. One which I am sure Jay-Z and Kanye are very proud of. But I want to get back to the negative comments I've heard people spew in reference to the tone and message on the album. Jay said it best when he inquired, "Do you fools listen to music or do you just skim through it?" I now understand what Mr. Carter meant when he uttered the aforementioned line on a previous song. How could someone listen to tracks like No Church In The Wild where Kanye and Jay address topics like God, priests, the church, etc. and think it has no depth? Or how could they hear them talk about their unborn children and how they would right their wrongs through the birth of their seeds on New Day and proclaim that they are merely shallow and self-absorbed?
Hov and Martin Louis The King, Jr. also blast off on a track called Welcome To The Jungle where they speak of sadness and loss. I don't know about ya'll, but that material sure sounds deep and thought-provoking to me. But I will let you be the judge.
ITS TIME TO WEIGH IN:
Did you buy the new Watch The Throne album?
If so, do you like the subject matter of the tracks?
Which track are you feeling the most?
Are you disappointed with Jay-Z's and Kanye's braggadocious rhymes?
How would you rate the album on a scale of 1-10?
Check out some more artwork from the album:
August 8, 2011
Jay-Z and Kanye West: Watch The Throne
The highly anticipated album Watch The Throne recorded by Hip Hop mega artists Jay-Z and Kanye West was dropped today, Tuesday, August 8th, the day the Watch The Throne concert tour tickets went on sale. The release has left the Internet, blogs, Facebook and Twitter all buzzing with talks of the new material, the tour, whether the two will get along and what the outcome will be of this mega-collaboration. We've already seen how quick the shit can hit the fan when Jay-Z collaborates with a music great (ie. R. Kelly and the Best of Both Worlds/Unfinished Business album/tour). So lets just hope the two can keep it together until December 12th when they perform in LA (and yes I got tickets!!!!)
Jay-Z and Kanye were able to hold off the release without any leaks, which in this day and age is damn near a mission impossible, but if anyone could do it, Jay and 'Ye could. Tickets for the Los Angeles concert are already sold out, but if you're in or around the LA area, you still might have a chance with Las Vegas so go to http://www.ticketmaster.com/watchthethrone asap before its too late. The first single to drop from the album, Otis, boasts a popular sample by Otis Redding, Try A Little Tenderness, which comes at the hands of soul-sample and talented musical producer, Kanye West. This song has such a strong popular cultural existence, it only makes sense that the two used it for the first single to spark the fire to the release of the album and the tour. The song recorded by Otis Redding was featured in Pretty in Pink with Molly Ringwald in 1986 in one of my favorite scenes from the whole movie (see the video below):
Watch The Throne Album cover & Track Listing
1. No Church in The Wild (Feat. Frank Ocean)
2. Lift Off (Feat. Beyoncé)
3. Niggas in Paris
4. Otis (Feat. Otis Redding)
5. Gotta Have It
6. New Day
7. Prime Time
8. Who Gon Stop Me
9. Murder to Excellence
10. Welcome to The Jungle
11. Sweet Baby Jesus (Feat. Frank Ocean)
12. Love You So (Feat. Mr Hudson)
Bonus 13. Illest Motherfucker Alive
14. H*A*M
15. That’s My Bitch
16. The Joy (Feat. Curtis Mayfield)
As you can see, the album has guest appearances by R&B/Hip Hop newcomer Frank Ocean, on two tracks and Beyonce on one. As well as, repeat collaborator Mr. Hudson who was featured on Jay's "Forever Young" track. Below are a few pics from the studio where Jay and Kanye have been creating the masterpiece.

To my Jay-Z and Kanye fans:
Have you been anticipating this high profile album?
Would you like to see Jay-Z and Kanye on tour?
Do you think the album will perform to all of the hype?
WEIGH IN!
Would you like to see Jay-Z and Kanye on tour?
Do you think the album will perform to all of the hype?
WEIGH IN!
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